Decoding the New York Mayor's Style Choice: The Garment He Wears Reveals About Contemporary Masculinity and a Shifting Society.
Coming of age in London during the noughties, I was constantly surrounded by suits. They adorned businessmen hurrying through the Square Mile. You could spot them on dads in Hyde Park, playing with footballs in the golden light. At school, a cheap grey suit was our required uniform. Historically, the suit has functioned as a costume of seriousness, signaling power and performance—traits I was told to embrace to become a "adult". However, until lately, people my age appeared to wear them less and less, and they had largely vanished from my consciousness.
Then came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captivated the public's imagination like no other recent contender for city hall. Yet whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing was largely constant: he was frequently in a suit. Relaxed in fit, modern with unstructured lines, yet traditional, his is a quintessentially middle-class millennial suit—well, as common as it can be for a cohort that rarely bothers to wear one.
"This garment is in this weird place," says style commentator Derek Guy. "Its decline has been a gradual fade since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the rise of business casual."
"Today it is only worn in the strictest locations: weddings, funerals, and sometimes, court appearances," Guy explains. "It's sort of like the kimono in Japan," in that it "essentially represents a tradition that has long retreated from everyday use." Numerous politicians "don this attire to say: 'I am a politician, you can have faith in me. You should support me. I have authority.'" But while the suit has traditionally conveyed this, today it enacts authority in the attempt of winning public trust. As Guy clarifies: "Because we are also living in a democratic society, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of drag, in that it performs masculinity, authority and even proximity to power.
This analysis resonated deeply. On the infrequent times I need a suit—for a ceremony or black-tie event—I dust off the one I bought from a Japanese retailer several years ago. When I first selected it, it made me feel sophisticated and high-end, but its slim cut now feels outdated. I suspect this sensation will be all too familiar for numerous people in the global community whose families originate in somewhere else, especially global south countries.
Unsurprisingly, the working man's suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a specific cut can therefore define an era—and feel quickly outdated. Consider the present: more relaxed suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a significant investment for something destined to be out of fashion within five years. But the attraction, at least in some quarters, persists: in the past year, major retailers report tailoring sales increasing more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something special."
The Politics of a Mid-Market Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "Mamdani is very much a product of his upbringing," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." Therefore, his moderately-priced suit will resonate with the group most inclined to support him: people in their thirties and forties, university-educated earning professional incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits plausibly align with his proposed policies—such as a capping rents, building affordable homes, and free public buses.
"You could never imagine a former president wearing Suitsupply; he's a Brioni person," says Guy. "He's extremely wealthy and was raised in that property development world. A status symbol fits seamlessly with that tycoon class, just as more accessible brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a former president's "shocking" tan suit to other national figures and their suspiciously impeccable, custom-fit appearance. As one UK leader discovered, the suit doesn't just clothe the politician; it has the power to characterize them.
Performance of Banality and Protective Armor
Perhaps the point is what one scholar calls the "enactment of ordinariness", invoking the suit's historical role as a uniform of political power. Mamdani's particular choice taps into a deliberate understatement, neither shabby nor showy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. However, experts think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't neutral; historians have long pointed out that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "It is argued that if you're a person of color, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, particularly to those who might question it.
This kind of sartorial "changing styles" is hardly a new phenomenon. Even iconic figures previously wore formal Western attire during their early years. These days, other world leaders have begun exchanging their usual military wear for a dark formal outfit, albeit one without the tie.
"In every seam and stitch of Mamdani's image, the struggle between insider and outsider is apparent."
The attire Mamdani selects is deeply significant. "Being the son of immigrants of South Asian heritage and a progressive politician, he is under pressure to meet what many American voters look for as a marker of leadership," notes one author, while simultaneously needing to walk a tightrope by "not looking like an establishment figure betraying his distinctive roots and values."
But there is an acute awareness of the different rules applied to suit-wearers and what is read into it. "This could stem in part from Mamdani being a millennial, able to assume different personas to fit the occasion, but it may also be part of his multicultural background, where adapting between languages, customs and clothing styles is common," it is said. "White males can go unnoticed," but when others "seek to gain the authority that suits represent," they must meticulously navigate the codes associated with them.
In every seam of Mamdani's official image, the tension between somewhere and nowhere, inclusion and exclusion, is evident. I know well the discomfort of trying to conform to something not built for me, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, image is not without meaning.